Tuesday, August 05, 2025

Fringe 2025 - Day 5 in Brief - Grief, Pratfalls, Horny Lesbians, and Joan of Arc


Still trying to figure out the best way to navigate social media platforms that are increasingly full of garbage.  No longer using the site formerly known as Twitter, giving BlueSky a try (a lot fewer Nazis).  So that’s where the posts on the fly during the festival will be posted (https://bsky.app/profile/matthewaeverett.bsky.social), and then I’ll gather them here at the end of each day for the snapshot of my daily festival travels from show to show, with longer reviews to follow.

MN Fringe update: spent much of the afternoon trying to figure out my schedule for the next few days; much behind my usual planning :) It might have something to do with the fact that these are the days Mom would be here, and my brain has been kind of resisting... 

A friend whose judgment I trust was a big fan of Wells Farnham's last Fringe show, his new one "I Have Griefances" had 3 shows opening weekend, concluding w/shows tonight 8/4 5:30pm (I'm going), & Wed 8/6 8:30pm at Barker Center. If you're curious, don't wait.

MN Fringe show #23: I Have Griefances - solid recommendation from friends on this one; Wells Farnham delivers a very funny solo show that is oddly sweet despite all the profanity, in tribute to the multiple members of his family that keep coming down with various strains of cancer - 5 stars


 

MN Fringe show #24: The Gentlemen’s Pratfall Club from Comedy Suitcase - so many great one liners, so many ridiculous characters, so many painful looking stage “accidents” Joshua English Scrimshaw and Levi Weinhagen serve up comedy from so many directions; brilliant - 5 stars


 

MN Fringe show #25: Cabin Fever - so many lesbians, so little time; this cast of improvisers/drag queen nails all the conventions of the reality TV dating genre and will say and do pretty much anything they can’t broadcast for the public :) just as funny as it is bawdy and unexpected - 5 stars

 

 


MN Fringe show #26: Joan of Arc for Miss Teen Queen USA - it would've been so easy for this to be a surface-level, flashy, one joke premise kind of comedy, so kudos to Melancholics Anonymous for serving up something not just funny but having depth, great characters; fascinating all-around - 5 stars

 

 

 

Here’s some handy links to coverage of 5 Star and 4.5 Star Shows I've Seen (VERY Highly Recommend), 4 Star and 3.5 Star Shows I've Seen (Highly Recommended), Other Shows I've Seen (3 Stars or Less), as well as my Fringe Top 10Top 11 to 20 and Returning Favorites lists for this year, and all the coverage of this year’s Minnesota Fringe Festival.  

 

As I’m sure many artists are, I find myself struggling with the idea of just “taking time off” (what a luxury) and submerging myself in a whole lot of theater for 11 days while the world is on fire so… I’m going to put some phrases and links down here (and at the end of each post going forward) and if you find yourself compelled to explore one or more of them, so much the better.  There’s a lot going on, and it can be easy to get overwhelmed and tune out, but as Congresswoman Sarah McBride recently said, “If everybody shows a little courage, nobody needs to be a hero.”  I freely admit this list and these links are hardly exhaustive.  It's just something to get started.  Do what you can, where you can, however you can.  Let’s help one another get through this.

Contacting your elected officials about the issues that matter to you (and protesting as necessary)
Starvation in the Gaza Strip
Immigration raids around the United States
Ukraine fighting off invasion by Russia
Trans rights
Climate change action
Housing shortage and the unhoused
Reproductive Rights
Voting rights, and running for office
The courts, from the Supreme Court on down to the local level
Don’t forget to laugh - even gallows humor is still humor 

 


Monday, August 04, 2025

Fringe 2025 - Day 4 in Brief - Secrets, Carousels, Rangers, Gold, Crabs, Fools, and Art


Still trying to figure out the best way to navigate social media platforms that are increasingly full of garbage.  No longer using the site formerly known as Twitter, giving BlueSky a try (a lot fewer Nazis).  So that’s where the posts on the fly during the festival will be posted (https://bsky.app/profile/matthewaeverett.bsky.social), and then I’ll gather them here at the end of each day for the snapshot of my daily festival travels from show to show, with longer reviews to follow.

MN Fringe show #16: The Big Secret - Brad Lawrence’s storytelling is mesmerizing; this is the 4th Fringe I’ve seen him in and he never disappoints; this time, it’s excavating the world around a secret shared by 17 yr old Jessica with 14 yr old Brad, just 2 years before her death - 5 stars


MN Fringe show #17: A Sad Carousel 2 - just the kind of insulting, Fringe-bashing, self-referential meta nonsense we look for in a sequel such as this; we’ve missed you while you were in that coma, Herschel Douscheburg (explaining jokes in a review will of course be self-defeating) - 5 stars

 

 

 

 

  

 

MN Fringe show #18: Ranger Jim - may we all be able to still hold a stage and still spin a tale with the skill and precision and humor and humanity that Jim Stowell still does now in his 80s, remarkable stories of the collision of nature and people in the US national parks - 5 stars

 

 


 

MN Fringe show #19: All Your Shimmering Gold; nuclear arms manufacturers stage a few scenes from Das Rheingold for us, the American public, their very generous customer base; based on details of a real contract we’re really paying for; dazzling and unsettling - 5 stars

  


 

MN Fringe show #20: Breach - fantastic use of TRP space, all its levels and corners, light, shadow and sound, to create a fishing vessel on a high pressure job, with weather and tempers threatening to undo the crew; great script, cast, direction; plus a giant hallucinatory monster crab - 5 stars

 


 

MN Fringe show #21: Breakneck 12th Night - it’s a marvel the way Tim Mooney can shave a 5 act play down to just under an hour, play all the characters, include the basics of every scene, and throw in the songs for good measure; 12th Night’s always a pleasure, even in miniature - 5 stars

 


 

MN Fringe show #22: Winding Sheet Outfit's admitted work in progress The Spirit Moves You To Color The Unseen already firing on all cylinders in acting, music, design and execution; the art of subject Hilma af Klint is still half understood so the script can only go so far; gorgeous; 4.5 stars 

 

Here’s some handy links to coverage of 5 Star and 4.5 Star Shows I've Seen (VERY Highly Recommend), 4 Star and 3.5 Star Shows I've Seen (Highly Recommended), Other Shows I've Seen (3 Stars or Less), as well as my Fringe Top 10Top 11 to 20 and Returning Favorites lists for this year, and all the coverage of this year’s Minnesota Fringe Festival.  

 

As I’m sure many artists are, I find myself struggling with the idea of just “taking time off” (what a luxury) and submerging myself in a whole lot of theater for 11 days while the world is on fire so… I’m going to put some phrases and links down here (and at the end of each post going forward) and if you find yourself compelled to explore one or more of them, so much the better.  There’s a lot going on, and it can be easy to get overwhelmed and tune out, but as Congresswoman Sarah McBride recently said, “If everybody shows a little courage, nobody needs to be a hero.”  I freely admit this list and these links are hardly exhaustive.  It's just something to get started.  Do what you can, where you can, however you can.  Let’s help one another get through this.

Contacting your elected officials about the issues that matter to you (and protesting as necessary)
Starvation in the Gaza Strip
Immigration raids around the United States
Ukraine fighting off invasion by Russia
Trans rights
Climate change action
Housing shortage and the unhoused
Reproductive Rights
Voting rights, and running for office
The courts, from the Supreme Court on down to the local level
Don’t forget to laugh - even gallows humor is still humor 

 


 

Sunday, August 03, 2025

Fringe 2025 - Day 3 in Brief - Touring, Mind Reading, Composing, Lighthouse Keeping, FanFictioning, Cutting, and Reincarnating


Still trying to figure out the best way to navigate social media platforms that are increasingly full of garbage.  No longer using the site formerly known as Twitter, giving BlueSky a try (a lot fewer Nazis).  So that’s where the posts on the fly during the festival will be posted (https://bsky.app/profile/matthewaeverett.bsky.social), and then I’ll gather them here at the end of each day for the snapshot of my daily festival travels from show to show, with longer reviews to follow.

MN Fringe show #9: Jon Bennett: American’t - everything I want to talk about would also kind of be a spoiler so I’ll just say this solo show is perfectly crafted, full of surprises, and extremely funny, even better than his last one (more later, when I’ve figured out how not to spoil it) 5 stars 

MN Fringe show # 10: Mind Reader - somehow I managed to not get selected as a volunteer; wild feats of memory and stuff that shouldn’t be able to happen; had Steven Nicholas read my mind, all he probably would have gotten was “wow, he has really nice arms” 5 stars (for the show as well as the arms)

MN Fringe show #11: Songs Without Words - Holy sh*t, that was amazing! Brilliant script,effortless performance, and music friends said she nailed all those details and it made them want to run home and listen to more music by *both* the Mendelssohns; 5 stars 

MN Fringe show #12: The Wickie - just delightfully goofy, well-executed clowning from beginning to end as a beleaguered lighthouse keeper battles the ocean that stole his left shoe; great crowd engagement and world building, so inventive and funny; 5 stars 

MN Fringe show (lucky)#13: J and R - The Drama Experience remixes Shakespeare’s tale of star-crossed lovers as young queer fanfic so it’s kind of messy and melodramatic but very well-intentioned :) - 3 stars 

MN Fringe show #14: Philip Simondet’s Fall of the High School Valedictorian - definitely the rawest thing I’ve seen; still a bit stunned; music great, though intense; warning about graphic depictions of self-harm is no joke, though there is also actual humor; great show but steel yourself - 5 stars

MN Fringe show #15: Apsara, the Musical - slightly confusing show set mostly in 12th century kingdom of Khmer but constructed and sounding like a 21st century Disney musical, which didn't seem to serve the story, the subject or the culture it was trying to convey; cast doing their best; 3 stars

 

 

 


 

Here’s some handy links to coverage of 5 Star and 4.5 Star Shows I've Seen (VERY Highly Recommend), 4 Star and 3.5 Star Shows I've Seen (Highly Recommended), Other Shows I've Seen (3 Stars or Less), as well as my Fringe Top 10Top 11 to 20 and Returning Favorites lists for this year, and all the coverage of this year’s Minnesota Fringe Festival.  

 

As I’m sure many artists are, I find myself struggling with the idea of just “taking time off” (what a luxury) and submerging myself in a whole lot of theater for 11 days while the world is on fire so… I’m going to put some phrases and links down here (and at the end of each post going forward) and if you find yourself compelled to explore one or more of them, so much the better.  There’s a lot going on, and it can be easy to get overwhelmed and tune out, but as Congresswoman Sarah McBride recently said, “If everybody shows a little courage, nobody needs to be a hero.”  I freely admit this list and these links are hardly exhaustive.  It's just something to get started.  Do what you can, where you can, however you can.  Let’s help one another get through this.




Contacting your elected officials about the issues that matter to you (and protesting as necessary)
Starvation in the Gaza Strip
Immigration raids around the United States
Ukraine fighting off invasion by Russia
Trans rights
Climate change action
Housing shortage and the unhoused
Reproductive Rights
Voting rights, and running for office
The courts, from the Supreme Court on down to the local level
Don’t forget to laugh - even gallows humor is still humor 

 

 


Saturday, August 02, 2025

Fringe 2025 - Day 2 in Brief - This, Insufferable Puppets, Clown Funeral, and Jabberwocky


Still trying to figure out the best way to navigate social media platforms that are increasingly full of garbage.  No longer using the site formerly known as Twitter, giving BlueSky a try (a lot fewer Nazis).  So that’s where the posts on the fly during the festival will be posted (https://bsky.app/profile/matthewaeverett.bsky.social), and then I’ll gather them here at the end of each day for the snapshot of my daily festival travels from show to show, with longer reviews to follow.

MN Fringe show #5: This - I kinda figured Tim Uren had more theater/life stories than could comfortably fit in a 1 hr. time slot and I was accidentally right; the epilogue section of the opening performance got cut off because the show ran a titch too long; lot of good material, though :) 4 stars

MN Fringe show #6: Simone Weil and the (Insufferable) Existentialist Breakfast Club - well, the title did warn me that the characters played by puppets would be insufferable (check); like the existentialists, I was left wondering: why am I here? what am I watching? what is the point? - 2.5 stars

MN Fringe show #7: Clown Funeral - red noses for all! 4 distinctive clowns, a lecturing banana, a dolly cart that is also Dolly Parton, a corpse with a surprise, a reading of a will as insult comedy, audience singalongs, the most amusing funeral I've had the pleasure to attend (HONK!); 5 stars


MN Fringe show #8: The Jaws That Bite, The Claws That Catch: a show that knows what it's doing, but what is it doing? your interpretation of a presentation from a man clinging to his memories and the poem "Jabberwocky" in a degenerating spiral may vary; few answers, many questions; 4.5 stars 


Here’s some handy links to coverage of 5 Star and 4.5 Star Shows I've Seen (VERY Highly Recommend), 4 Star and 3.5 Star Shows I've Seen (Highly Recommended), Other Shows I've Seen (3 Stars or Less), as well as my Fringe Top 10Top 11 to 20 and Returning Favorites lists for this year, and all the coverage of this year’s Minnesota Fringe Festival.  


 

As I’m sure many artists are, I find myself struggling with the idea of just “taking time off” (what a luxury) and submerging myself in a whole lot of theater for 11 days while the world is on fire so… I’m going to put some phrases and links down here (and at the end of each post going forward) and if you find yourself compelled to explore one or more of them, so much the better.  There’s a lot going on, and it can be easy to get overwhelmed and tune out, but as Congresswoman Sarah McBride recently said, “If everybody shows a little courage, nobody needs to be a hero.”  I freely admit this list and these links are hardly exhaustive.  It's just something to get started.  Do what you can, where you can, however you can.  Let’s help one another get through this.

Contacting your elected officials about the issues that matter to you (and protesting as necessary)
Starvation in the Gaza Strip
Immigration raids around the United States
Ukraine fighting off invasion by Russia
Trans rights
Climate change action
Housing shortage and the unhoused
Reproductive Rights
Voting rights, and running for office
The courts, from the Supreme Court on down to the local level
Don’t forget to laugh - even gallows humor is still humor 

 

 


 

 

Friday, August 01, 2025

Fringe 2025 Review - A Good Cancer To Have - Last Year’s Dead Horse Does It Again - 5 stars


BlueSky post: MN Fringe show #2: A Good Cancer to Have - easily the funniest thing I've ever seen about cancer; Sam Sweere has a great sense of the absurd, as well as the human, in a story like this; twisting theatrical conventions in ways I need more than a post to unpack; stellar work, start to finish; 5 stars

Yes, I can hear the chorus now, “Well, of course you gave the cancer show performed by a recent cancer survivor 5 stars.  If you did anything else you’d be a monster.”  Oh, I could be a monster, trust me.  I have gotten in a lot of trouble for reviews I’ve written for a lot less.  Then there’s the other chorus who probably got tired of me raving about the same playwright/actor last year and his show “A Horse Walks Out Onto The Stage And Dies” (I saw it three times, so…) “Well, if you love this guy so much, why don’t you just marry him and shut up about it?”  Well, he’s straight, less than half my age and already married to a woman so there are number of hurdles to that particular strategy but thanks for the suggestion.  You’re just gonna have to trust me when I say that “A Good Cancer To Have” earns every one of those five stars, again, for a very different show that is still very much a Sam Sweere joint.

“You love the deepest in the mud.  You don’t care what other people think in the mud.  The person that you are, out of the mud - that’s amazing.”

Having recently lived through a period where I had to watch someone I love with a bad cancer to have be aggressively taken from me and the rest of the family, I am all too familiar with the many ways Sam Sweere’s struggle with cancer could have gone sideways.  So I am in the market for a presentation from a person who got lucky and got to come out on the other side of things (just recently, too, like only two weeks ago, final chemotherapy appointment, cancer-free, got to ring the bell and everything.). But it also makes me a terrible audience member for this genre of theater because at the first whiff of bullshit of dishonesty, I am out.  You can lose me really fast.

“I feel like I should be mad at God, but I’m not.  Just a little annoyed.”

Thankfully, Sam Sweere also has no patience for bullshit.  And the myriad absurdities of the healthcare industry are perfect fodder for his brand of comedy.  Talking about the waiting for test results, or even to get an appointment with the right doctor to get you the test in the first place, the waiting to hear whether you’re probably going to live, or die, what the odds are, that was when Sweere got me.  If you have ever had the misfortune of needing to wait like that, you see yourself in this story.  And if you haven’t, God bless you, I hope you never do, it’s the worst.

“How would you live your life differently?  Why do you need cancer to make you think that way?  Just do one thing.”

Honestly he had me in those opening moments when the nurse (Leah Sweere) asked him for his name and birthday and he had to recite it.  Because they make you say it, over and over and over again, all day long.  Because the doctors and nurses see so many people.  And they need to be sure they they’re giving the person in front of them the right treatment, the right drugs, the right surgery.  They need you to keep telling them who you are.  Because you’re just one more person in a long line of sick people, one more battle they’re either going to win or lose.  Same for you.  Name and date of birth, name and date of birth, name and date of birth… (and when you’re wondering whether you’re going to live or die, being asked to recall your date of birth repeatedly is, a little obscene, or at the very least, insensitive.)

“The little therapy bird from the cancer ward!”

“A Good Cancer To Have” is so funny.  I know me rattling off all the stuff I just did makes it sound like the most unbearably painful show imaginable, but it is very, very funny.  It takes aim at the absurdities of the medical system, of course, but also at the notion of this show existing at all.  Because he was developing it during his cancer treatment.  He was trying to write, to imagine, a happy ending two months ago when he had no guarantee of one.  And he’s aware of just how weird that is, and he unpacks that, too.

“I cried in the cum room.”

Sam (and Leah) also screw with the conventions of theater in clever, playful ways - like ringing a bell when things get too heavy in order to send Sam scrambling to a journal full of rants and dumb jokes he accumulated during the same time period that have little or nothing to do with cancer, just to lighten things up.  Or the use of projections at key moments when you need a picture or chart because words don’t do it justice.  Or the use of colorful streamers, just to take the edge off.  Or the use of paper to simulate snow from a person poking up over the back of the bulletin board on set in a Santa hat, to symbolize December, and continue to dump snow on Sam while he’s speaking until he has to stop and say “Ok, ok, that’s enough.”  Or the use of a fake beard.  Or the use of a puppet with a terrible British accent, and a corpse puppet.

“I’m 230.  The same weight as a late lunch.”

This is, in a weird and completely unintentional way, a companion piece to last year’s Fringe show, because he may not be wearing a horse costume, but he’s still talking to the audience, and he’s still fighting for his life.  Is cancer stand-up a genre of comedy?  It must be, by now, in the 21st century, right?  Laugh so you don’t cry.

“If you thought ‘Wow, that’s personal,’ you should leave.”

The other vein of honesty in the show that I appreciated was the willingness to be vulnerable, the willingness to be just a tiny bit sentimental, a shade more emotional than he might otherwise be comfortable with.  You don’t see genuine love, or fear, or depression on stage all that often.  The acknowledgement of mortality without the release of a quick joke immediately afterward.  Sweere lets all these moments breathe.  And there’s handful of surprises in the show that, just like with “Horse,” I’m not going to spoil because one of the many joys of this show is watching it unfold in all its many unexpected directions. (Also, a quick overdue nod to director Hannah Steblay as the outside eye on the project.  And stage manager Marsh Kelly, because some of those surprises required a lot of coordination :)  On stage, as in life, the Sweeres weren’t in this alone.)

“I’m an actor, so I’ll act.  And I’m a writer so… words.”

Because, let’s be honest, we all think we know the trajectory of this show already.  How it’s laid out, how it progresses, how it goes off on tangents that all tie back in at the end, how it concludes.  And you’d be wrong.  I was.  Sam Sweere doesn’t do predictable.  It’s not the way his brain works.  It’s not the way he tells a story.  It’s not the way he does theater.

“Two months ago, I auditioned for the role of ‘Guy With Cancer,” and I didn’t get it.”

Now, personally, I’m rooting for Sam to have the most boring, unexceptional year imaginable after this Fringe is over.  No major life events, no life-threatening illnesses or accidents.  He got married, he kicked cancer’s ass.  I’d like him and Leah to just be able to enjoy married life now.  And whatever Sam thought he was gonna do next, that wasn’t a show about cancer, I want him to get to do that.  And whatever other weird ideas he has in that head of his.  Because I really enjoy watching them.  And trauma isn’t necessary for art.  So I hope he gets a break.

“I’ve had a depression.  Cancer depression is different.  It’s like you’re used to vanilla and then one day they just dropped chocolate on me.  The flavor was astoundingly different.”

Meantime, “A Good Cancer To Have” is a helluva a show.  And you should see it.  So you end up appreciating your own life even more than you already do.  And get to see some really great theater while you’re at it.

5 stars - Very Highly Recommended

 

Here’s some handy links to coverage of 5 Star and 4.5 Star Shows I've Seen (VERY Highly Recommend), 4 Star and 3.5 Star Shows I've Seen (Highly Recommended), Other Shows I've Seen (3 Stars or Less), as well as my Fringe Top 10Top 11 to 20 and Returning Favorites lists for this year, and all the coverage of this year’s Minnesota Fringe Festival.  

 

As I’m sure many artists are, I find myself struggling with the idea of just “taking time off” (what a luxury) and submerging myself in a whole lot of theater for 11 days while the world is on fire so… I’m going to put some phrases and links down here (and at the end of each post going forward) and if you find yourself compelled to explore one or more of them, so much the better.  There’s a lot going on, and it can be easy to get overwhelmed and tune out, but as Congresswoman Sarah McBride recently said, “If everybody shows a little courage, nobody needs to be a hero.”  I freely admit this list and these links are hardly exhaustive.  It's just something to get started.  Do what you can, where you can, however you can.  Let’s help one another get through this.

Contacting your elected officials about the issues that matter to you (and protesting as necessary)
Starvation in the Gaza Strip
Immigration raids around the United States
Ukraine fighting off invasion by Russia
Trans rights
Climate change action
Housing shortage and the unhoused
Reproductive Rights
Voting rights, and running for office
The courts, from the Supreme Court on down to the local level
Don’t forget to laugh - even gallows humor is still humor 

 

 


 

Fringe 2025 Review - The Kendra Plant Variety Hour - Great Mix of Talented Guests - 4.5 stars


BlueSky post: MN Fringe show #3: The Kendra Plant Variety Hour - Plant is a charming host; all 3 guests crackle with how good they are at what they do; stunning Japanese dragon dance, drumming and pipe; heartfelt songs of trans liberation; eye-popping ballet contortions plus burlesque; variety indeed; 4.5 stars

“The Kendra Plant Variety Hour: Good Things Edition, with Special Guests” is a great assortment of talent all gathered in one place for an hour of Fringe time, just a fine sampler of very different types of performance.  The show starts with Kendra doing an opening speech (from cards, smart move, as someone who himself will frequently go off on a tangent and then forget things I really meant to say). Plant has her patter down and makes the case for live performance, and audiences sharing space together, not just watching screens at home.  “100 percent human artists on stage tonight” is a good rallying cry in disconnected, artificial times like these.

First up are the stunning dance moves and music of Taiko Arts Midwest and the Edo Bayashi Ensemble (Jeff Ellsworth, Emily Harada, Junko Kumamato, Chiaki O’Brien, and Hiroshi Yoshino) performing traditional Shishimai - Japanese Lion Dance.  The troupe just got a brand new puppet/lion outfit and it’s beautiful.  You could mistake it for a dragon, I guess, because it shares a lot of the same features, but it has a glorious white furry mane that moves with the rest of the lion costume.  The ears also have independent articulation, and the mouth makes a menacing clacking sound.  The dancer/puppeteer under that lion outfit is skilled at moving both the puppet/mask and their own body, often in what appears to be opposing directions.  The dance is accompanied by Taiko drumming and bamboo flute, and they work off each other with really impressive precision.  The lion develops its own personality, and a sense of playfulness, very aware of the audience watching it, and with its own sense of humor.  There’s a bit with a piece of fruit I won’t spoil (no pun intended).

The second act is composer Emily Boyajian, singing two of her own compositions from last year’s opera/chamber orchestra musical, Transition: a Story of 2 Trans People Becoming Themselves.  Emily accompanied herself on the electric keyboard, and while she doesn’t have the same soaring operatic voices of the two performers who presented her work in 2024, she more than makes up for that with her connection to and passion for the purpose of these songs.  She garnered a lot of enthusiastic whoops and applause for her renditions of these tunes and it was well-deserved.

Last but not least on the roster was Jolie Meshbesher, starting by mixing her former ballet moves at the dance bar with contortions of her body finding her hanging off the bar in eye-catching ways, creating picture after picture with her frame either upright or on the floor, as an instrumental piece of piano and strings provided an aural backdrop. Then a switch in music and mood at the end to a joyful burlesque striptease, freeing her from her corset and pretty much everything else she was wearing.  The precision of her moves throughout the whole sequence was mind-boggling.

The only quibble I might have with the show as a whole is just to work on the transitions between artists, which were fine as they were, everyone was very efficient, but also they were all segmented off from one another.  Jolie Meshbesher, for example, was very self-reliant and speedy getting her balancing bar set up and secured, but I felt a bit badly at the same time for poor Emily Boyajian packing up her large keyboard and feeling the need to hobble off with it all in one quick awkward trip, hunched over with everything under her arms. (It also didn’t look entirely safe.). If Emily and Jolie both knew they could each take their time and not feel individually rushed, and we were all just being presented to the joys of live theater - or if someone could give Emily a hand, or if the artists could help one another out.  I know it probably also depends on how much you want someone else touching your equipment but… that’s really the only rough edges the show had.  Each segment in and of itself was spot on.  Maybe some additional patter from the host between segments to cover the transitions.  All sorts of options, and a minor problem in the larger scheme of things. The parts of the show are all clicking, and that’s the key thing.

“The Kendra Plant Variety Hour” is a great showcase of three very different styles of art that all make a strong case for the importance and impact of live performance.  If you want a change of pace, you’re probably not seeing any of these kinds of performances anywhere else in the festival this year.  It’s a great place to catch them all in one hour.

4.5 stars, Very Highly Recommended 

 

Here’s some handy links to coverage of 5 Star and 4.5 Star Shows I've Seen (VERY Highly Recommend), 4 Star and 3.5 Star Shows I've Seen (Highly Recommended), Other Shows I've Seen (3 Stars or Less), as well as my Fringe Top 10Top 11 to 20 and Returning Favorites lists for this year, and all the coverage of this year’s Minnesota Fringe Festival.  

 

As I’m sure many artists are, I find myself struggling with the idea of just “taking time off” (what a luxury) and submerging myself in a whole lot of theater for 11 days while the world is on fire so… I’m going to put some phrases and links down here (and at the end of each post going forward) and if you find yourself compelled to explore one or more of them, so much the better.  There’s a lot going on, and it can be easy to get overwhelmed and tune out, but as Congresswoman Sarah McBride recently said, “If everybody shows a little courage, nobody needs to be a hero.”  I freely admit this list and these links are hardly exhaustive.  It's just something to get started.  Do what you can, where you can, however you can.  Let’s help one another get through this.

Contacting your elected officials about the issues that matter to you (and protesting as necessary)
Starvation in the Gaza Strip
Immigration raids around the United States
Ukraine fighting off invasion by Russia
Trans rights
Climate change action
Housing shortage and the unhoused
Reproductive Rights
Voting rights, and running for office
The courts, from the Supreme Court on down to the local level
Don’t forget to laugh - even gallows humor is still humor 

 

 

 

 

Fringe 2025 Review - (long title) aka The Fart Show - Simple Noisy Pleasures - 4.5 stars


BlueSky post: MN Fringe show #1: (long title) aka The Fart Show - Malcolm Dekker and his Fringe vet dad Kyle have crafted a clever, inventive, goofy little show, with lots of fun audience fart sound participation, providing structure to something that might have just been a string of fart jokes; 4.5 stars

It seems a bit silly to try and craft a serious opening line about this show.  It’s a show about farts.  A number of parents brought their young children, and were rewarded with family entertainment (assuming your family is entertained by farts and all these families seemed to be).  “A Completely Serious and Not At All Comedic Review of Farts, Flatus, and Flatulence, aka The Fart Show” is a light, funny Fringe show, conceived by 7th grader Malcolm Dekker and executed in tandem with his father, Fringe vet Kyle Dekker.  As I said above, what could have otherwise been just a string of random fart jokes has instead been crafted into something quite clever, providing a framework on which to hang all the silliness.

“A noble gas has no reaction.”

The show is a five part experiment by Professors Poot (Malcolm) and Toot (Kyle), in their personalized white lab coats, to discover why people find farts so amusing.  They cover the origin of the fart, farts throughout history, farts in the arts and sports, and conclude with some scientific analysis of what they’ve learned.

They also wisely get the audience involved right away, so everyone can start having a good time.  They disperse noisemakers (fart noisemakers, of course) throughout the audience and then hope to encourage the audience at key points in the action to provide noise for key farting moments in history.  Of course, many recipients just can’t stop making noise, so we are treated to the sound of farting throughout the proceedings.  And the sense of joy among audience members learning for the first time how to use their armpits and a simple straw to emit farting sounds in order to be conducted by Poot on the “1812 Overture,” well, that was lovely to see.  Fun had by all.

“Fart self-censorship in the movies, also known as the Hayes Code”

In order to dispense with the learning of lines, the narration is pre-recorded and Poot and Toot are mute clowns making presentations aligned with the spoken word.  This conceit works very well, and the Dekkers interact with ease with their narrator, each other, and the crowd without need for words (which is not as easy as you think).  There’s even a great bit where the narrator accidentally reads the stage directions about what he’s supposed to record for the results of a scientific survey of fart sound effects.

The set-up is simple, three folding chairs with three foot lockers full of props next to or behind them, configured as three points of a triangle of space onstage, which the Dekkers and their many happy volunteers make full use of.  Inventive props abound - from a multi-colored plastic expandable set of tubes snaked through the audience early on to mimic the intestines, to molecule models, to large cardboard cutouts of vegetables, to ancient artistic drawings with labels slapped on them saying “All Ages Show” to cover up the naughty bits.

“Literally a blast from the past.”

There’s even a bit of audience competition involved, whether it’s a race to see who can sit on the most whoopee cushions in a minute (while expelling air and sound, of course), or a whoopee cushion version of musical chairs, where you have to grab a chair and sit, but also make that noise when you sit down.

(At the opening performance there was a minor mishap, two girls, one chair, and a loss of balance slipping off the side of a whoopee cushion led to a bit a of a spill and some tears - which even a well-deployed whoopee cushion couldn’t totally fix.  However, the child rallied before the end of the show and was thoroughly enjoying herself again, no harm done.  Be careful of your musical chairs technique when a whoopee cushion is involved.)

“Methane:  It’s a Gas to Volunteer!”

Also, the show runs just a little short.  The performers weren’t entirely sure how much time to leave as padding for all the audience interaction, even though a lot of that, just like their own performances, is bounded by interaction with sound cues of the narration.  Upside, they’ve learned they can take their time and don’t need to rush.  And there isn’t really a downside - audiences have a bit more time to get to their next show, and the artists coming after this show in the next time slot get a little more breathing room to set up.

“Mel Brooks did many test screenings of Blazing Saddles to determine from audience reaction what the funniest number of farts was.  The answer is 12.”

“A Completely Serious and Not At All Comedic Review of Farts, Flatus, and Flatulence, aka The Fart Show” is good, silly fun, and a perfect respite from all the other serious shows we all will no doubt be seeing throughout the festival.  Give yourself a break, have a fart, have a laugh.

4.5 stars, Very Highly Recommended

 

Here’s some handy links to coverage of 5 Star and 4.5 Star Shows I've Seen (VERY Highly Recommend), 4 Star and 3.5 Star Shows I've Seen (Highly Recommended), Other Shows I've Seen (3 Stars or Less), as well as my Fringe Top 10Top 11 to 20 and Returning Favorites lists for this year, and all the coverage of this year’s Minnesota Fringe Festival.  

 

As I’m sure many artists are, I find myself struggling with the idea of just “taking time off” (what a luxury) and submerging myself in a whole lot of theater for 11 days while the world is on fire so… I’m going to put some phrases and links down here (and at the end of each post going forward) and if you find yourself compelled to explore one or more of them, so much the better.  There’s a lot going on, and it can be easy to get overwhelmed and tune out, but as Congresswoman Sarah McBride recently said, “If everybody shows a little courage, nobody needs to be a hero.”  I freely admit this list and these links are hardly exhaustive.  It's just something to get started.  Do what you can, where you can, however you can.  Let’s help one another get through this.

Contacting your elected officials about the issues that matter to you (and protesting as necessary)
Starvation in the Gaza Strip
Immigration raids around the United States
Ukraine fighting off invasion by Russia
Trans rights
Climate change action
Housing shortage and the unhoused
Reproductive Rights
Voting rights, and running for office
The courts, from the Supreme Court on down to the local level
Don’t forget to laugh - even gallows humor is still humor 

 

 

 

 

 

 

 

Fringe 2025 - Day 1 in Brief - Thursday, July 31, 2025 - Farts, Cancer, Variety, and Shapeshifters


Still trying to figure out the best way to navigate social media platforms that are increasingly full of garbage.  No longer using the site formerly known as Twitter, giving BlueSky a try (a lot fewer Nazis).  So that’s where the posts on the fly during the festival will be posted (https://bsky.app/profile/matthewaeverett.bsky.social), and then I’ll gather them here at the end of each day for the snapshot of my daily festival travels from show to show, with longer reviews to follow.

Minnesota Fringe - pre-show announcement from Rep. Ilhan Omar, kudos to her for being such a good sport, because there's definitely unintentional comedy as I listened and thought of my acting friends in the voiceover community: fear not, your jobs are safe :)

MN Fringe show #1: (long title) aka The Fart Show - Malcolm Dekker and his Fringe vet dad Kyle have crafted a clever, inventive, goofy little show, with lots of fun audience fart sound participation, providing structure to something that might have just been a string of fart jokes; 4.5 stars

MN Fringe show #2: A Good Cancer to Have - easily the funniest thing I've ever seen about cancer; Sam Sweere has a great sense of the absurd, as well as the human, in a story like this; twisting theatrical conventions in ways I need more than a post to unpack; stellar work, start to finish; 5 stars

MN Fringe show #3: The Kendra Plant Variety Hour - Plant is a charming host; all 3 guests crackle with how good they are at what they do; stunning Japanese dragon dance, drumming and pipe; heartfelt songs of trans liberation; eye-popping ballet contortions plus burlesque; variety indeed; 4.5 stars

MN Fringe show #4: La Tunda - great concept, game cast, just wish the execution matched the idea (queer trans twist on ancient monster legend); moments and scenes shine with humanity or dread, but overall it meanders a lot; however, audience really loved it (standing O), so what do I know? 3 stars

 

 

Here’s some handy links to coverage of 5 Star and 4.5 Star Shows I've Seen (VERY Highly Recommend), 4 Star and 3.5 Star Shows I've Seen (Highly Recommended), Other Shows I've Seen (3 Stars or Less), as well as my Fringe Top 10Top 11 to 20 and Returning Favorites lists for this year, and all the coverage of this year’s Minnesota Fringe Festival.  

 

As I’m sure many artists are, I find myself struggling with the idea of just “taking time off” (what a luxury) and submerging myself in a whole lot of theater for 11 days while the world is on fire so… I’m going to put some phrases and links down here (and at the end of each post going forward) and if you find yourself compelled to explore one or more of them, so much the better.  There’s a lot going on, and it can be easy to get overwhelmed and tune out, but as Congresswoman Sarah McBride recently said, “If everybody shows a little courage, nobody needs to be a hero.”  I freely admit this list and these links are hardly exhaustive.  It's just something to get started.  Do what you can, where you can, however you can.  Let’s help one another get through this.

Contacting your elected officials about the issues that matter to you (and protesting as necessary)
Starvation in the Gaza Strip
Immigration raids around the United States
Ukraine fighting off invasion by Russia
Trans rights
Climate change action
Housing shortage and the unhoused
Reproductive Rights
Voting rights, and running for office
The courts, from the Supreme Court on down to the local level
Don’t forget to laugh - even gallows humor is still humor 

 

 

 

 

Fringe 2025 - Returning Favorites - Wet Splat - MicroMedics

As their Fringe preview can attest, complete with tiny sailor outfits, virus puppets, miniatures, and dance moves, this crew knows how to create a catchy theme song to launch their improv comedy adventures.

 



MicroMedics
WetSplat
Directed by Ari Newman and Will Schroeder
Venue: Strike Theater


Show Description:

No one likes being in the hospital - what if the hospital was in YOU? MicroMedics turns a gnarly bruise into a pleasure cruise! Climb aboard the world’s first medical submarine cruise ship that’s really little. Hop aboard the world’s smallest medical submarine, manned by very little doctors! Shrink down! See the sights! Cure disease! Fall in love?  Committed enough to build puppets and costumes, but not enough to write a script, this improv show will send you straight to urgent care! Your life will never be the same.

 
Genre & Content:
Comedy, Improv, Original Music, Puppetry, Sci-Fi
Warnings:
Adult Language, Violence, Gun/Weapon Usage
 
So the crew that landed on my pre-Fringe Top 20 list in 2023 with their literary crime-stopping team in 20,000 Leagues Under The Telltale Heart are back again, this time taking an idea as old as Fantastic Voyage, and as weird as InnerSpace and giving it their own 21st century spin.  They’re not promising LGBTQIA+ content this time, so it’s more a heterosexual super-tiny Love Boat than  the homoerotic tension for laughs we got last time.  More goofy fun will no doubt ensue, given the potential of this source material, which was always easier to laugh at than take seriously.

 

Here’s some handy links to my Fringe Top 10Top 11 to 20 and Returning Favorites lists for this year, as well as all the coverage of this year’s Minnesota Fringe Festival.  

 

As I’m sure many artists are, I find myself struggling with the idea of just “taking time off” (what a luxury) and submerging myself in a whole lot of theater for 11 days while the world is on fire so… I’m going to put some phrases and links down here (and at the end of each post going forward) and if you find yourself compelled to explore one or more of them, so much the better.  There’s a lot going on, and it can be easy to get overwhelmed and tune out, but as Congresswoman Sarah McBride recently said, “If everybody shows a little courage, nobody needs to be a hero.”  I freely admit this list and these links are hardly exhaustive.  It's just something to get started.  Do what you can, where you can, however you can.  Let’s help one another get through this.

Contacting your elected officials about the issues that matter to you (and protesting as necessary)
Starvation in the Gaza Strip
Immigration raids around the United States
Ukraine fighting off invasion by Russia
Trans rights
Climate change action
Housing shortage and the unhoused
Reproductive Rights
Voting rights, and running for office
The courts, from the Supreme Court on down to the local level
Don’t forget to laugh - even gallows humor is still humor