Thursday, July 30, 2026

Fringe 2026 Top 11-20 - #14 - Moral of the Story - A Real Piece of Work


A Real Piece of Work

Description
When a bumbling community theater group rehearses for their production of Hamlet, one actor tries to help them get their act together. This ensemble comedy is a love letter to community theater.
Venue – Theatre in the Round (TRP)
Content Warnings – Adult Language, Gun/Weapon Usage
Genre and Content – Comedy, Drama, Shakespearian Elements
Ages 12 to 15 and Up

This show is a great example of how a Fringe preview can help you break out of a list of dozens of other shows in the festival.

Theater about theater and art about artists is generally not my thing (I know, I say that all the time and then I find the exception.  Still…)

As I was doing my usual homework of perusing every single show on the Fringe site, I saw this one and thought “oh, theater about theater, and Hamlet besides, I can probably skip that one.”  The only Shakespeare play less likely than Hamlet to draw me in would be any riff on A Midsummer Night’s Dream (apologies to "A Dark Gotham Knight’s Dream," also in the festival this year, though I will admit, the costumes visible in your trailer are making a good case for seeing you anyway)

But then I saw the Fringe preview of “A Real Piece of Work” and it won me over.



It’s hard to do a good Fringe preview for any show, even a great show.  Things can so easily go off the rails.  But here, they really nailed it.

It’s a play within a play about a play, so a preview about all that is just one more layer of meta commentary and comedy.

The ensemble of ten actors knew they only had three minutes to get the job done (and reminded themselves and us about it as they went, which was a fun recurring bit), but everybody was on their game, script in hand if needed but the dialogue flowed naturally, introduced all the characters in quick bursts as they all collectively told us the premise of the play while also displaying the dynamics between the cast while they were at it.  They kept the pace moving, and gave us a sample of the kind of thing we have in store if we see the play.  Perfect, and funny.  

Plus, it’s hard to play the character of a bad actor onstage, unless you’re a good actor.  I was worried that it might either be a show by “serious” theater people that was punching down at community theater, or conversely a show by community theater people that had a perhaps overinflated sense of the importance and high art of community theater.  It was, surprisingly, somehow neither of those things, which I find kind of fascinating as a tight rope act for this production to pull off.  The ensemble is a nice mix of different kinds of actors, and different personality types for their characters.  AND it seemed like it was going to be fun, rather than painful, to watch.  So I am sold, in spite of myself.

Nicely done.

Looking a bit more closely at the press packet materials, there’s a bit more detail that’s also reassuring:

“In this ensemble comedy, an actor gets increasingly frustrated rehearsing with an amateurish community theater group for their production of Hamlet. He tries to improve the show and motivate the others to embrace his ideas, and eventually learns a more important lesson. This show is a love letter to community theater and the characters onstage and off, with a timely political message about accepting and connecting with those different from us.”

 

Interested in hearing about other artists I recommend based on past outings in the Fringe? Here's a link to a list of all the coverage of returning favorite artists from past pre-Fringe Top 20 lists of mine that are part of this year's Minnesota Fringe Festival. And here's links to the 2026 versions of my pre-Fringe Top 10 list and Top 11 through 20 for the 2026 festival as we ramp up toward the start of the Fringe on August 6th.  

 

  

Fringe 2026 Top 10 - #4 - Sockpop - 1 Hour Left To Live: A One Puppet Show by That Felt Good


1 Hour Left To Live: A One Puppet Show by That Felt Good

Description:
A puppet on his deathbed recounts his life through monologue, improvised flashbacks, audience participation, and stand-up comedy guest sets. Every night he lives a new life with new characters and old regrets.
Venue – Southern Theater
Content Warnings – Adult Language, Crude Humor, Sexual Content
Genre and Content – Comedy, Improv, Puppetry, Audience Participation
Ages 18 and Up Only

This is a late addition to the festival schedule, someone stepping in with a show at the last minute as another artist steps out.

I saw it for the first time as I was scrolling the show listings on my phone while waiting for the Fringe Previews to begin on Monday.  Suddenly my brain went, “Wait!  That’s a new image.  What’s that show? It wasn’t there before.”

Not sure what this says about me but the premise delights me:

“A puppet on his deathbed recounts his life through monologue, improvised flashbacks, audience participation, and stand-up comedy guest sets. Every night he lives a new life with new characters and old regrets.”

The age recommendation is 18 and up only, so it’s an adult puppet show with warnings for adult language, crude humor, and sexual content.

Also, not above appreciating the puppet pun of “That Felt Good”

The names I recognize among the improvisers involved also make me feel like this is a solid project:

Eric Heiberg and Philip Simondet, both part of the previously remarked upon return of The Local Music Scene improv show

Chris Rodriguez, who was part of the 5-star weirdness that was Clown Funeral in last year’s Fringe

The simple bios of the Director/Producers, one of them a writer, the other a puppeteer, also win me over:

“Matt Olson
Writer/Director/Producer
Matt writes screenplays, comic books, and shoots stupid videos with his friends 
 
Phoebe Bottoms
Puppeteer/Director/Producer
Phoebe is a Jim Henson Co. trained puppeteer, improviser, and comedian”

And lastly, the thing that pushed it over the top for me was that the other listed writer on the project is Collin Klug, a comedy writer and performer responsible for two of my favorite Fringe shows of the late pre-pandemic era:

2014’s “Supernova!: A One Man Play by Rex Douglas!: A Two Man Play by Turner Barrowman and Collin Klug” (which I saw twice - a rarity for my Fringe-going with a wall to wall schedule trying to see as many shows as possible)

2017’s “Dick White: Ghost Detective

Shows that come out of nowhere at the last minute are sometimes great.  This might be one of them.  I’m super curious to give it a look.  Just going with my gut, but there’s a lot of promising elements gathering on this one.

 

Interested in hearing about other artists I recommend based on past outings in the Fringe? Here's a link to a list of all the coverage of returning favorite artists from past pre-Fringe Top 20 lists of mine that are part of this year's Minnesota Fringe Festival. And here's links to the 2026 versions of my pre-Fringe Top 10 list and Top 11 through 20 for the 2026 festival as we ramp up toward the start of the Fringe on August 6th.  

 

  

 

Fringe 2026 - Returning Favorites - Snikt! Bamf! Thwip! - Casa Bde-Maka-Ska


I am either the perfect audience for this show, or the last person in the world who should see it.  I’m not sure which side of the fence it’s gonna fall on yet.

Casa Bde-Maka-Ska

Description: 
Everyone comes to Rick's. Even in the middle of a hostile occupation. Even in a world where lovers who have been torn apart by circumstance can bond over some well chosen Prince music.
Venue - Theatre in the Round (TRP)
Content Warnings - Adult language, Gun/Weapon Usage
Genre and Content - Comedy
Ages 12 to 15 and Up

The additional info in the press packet materials does give me encouragement:

“Minnesota is occupied but everyone is coming to Rick's.  Casa Bde-Maka-Ska is an adaptation of Casablanca through the lens of the last several months in Minnesota. The original story is very much about a hostile occupation of a foreign city, much as we have experienced here. It is a comedy but doesn't ignore the fact that real harm was done to real people on the streets of our home.”

The fact that (twice-mentioned already) Duck Washington is co-writing the script with Tim Wick is also a plus.

The cast including Samuel Poppen as Rick (the Bogart role) and Kelvin Hatle as Captain Louis Renault (the Claude Rains role) is also very promising.

Snikt! Bamf! Thwip! regularly lampoons popular culture by mashing up two things that don’t often go together, whether that be Bridgerton via action movie director Michael Bay, or a steampunk version of the sci-fi horror franchise Alien, a spoof of the John Wick assassin action movies, or The Complete Works of William Shatner (abridged).

And the parallels between the plot of Casablanca and the unfortunately real-life situation in Minnesota this year are uncanny.

But Casablanca is one of my very favorite films, so it’s easy to put me off.

Also, the title here almost seems like it’s making fun of the concept of renaming things in Minneapolis back to the way the Native Americans did, rather than naming them after problematic American historical figures who came along after.  I’m sure that’s not the intent, but that’s the way my brain processes it.  (Also, doesn’t Casa-Blanca literally translate to White House?  It’s kind of right there, isn’t it?)

All that said, on balance it looks like I’m going to enjoy myself, so I’m looking forward to this one.

And I will refrain from Casablanca jokes myself (until it’s time for the review)

Update: Their Fringe preview also helped put me at ease: 

 

 

Interested in hearing about other artists I recommend based on past outings in the Fringe? Here's a link to a list of all the coverage of returning favorite artists from past pre-Fringe Top 20 lists of mine that are part of this year's Minnesota Fringe Festival. And here's links to the 2026 versions of my pre-Fringe Top 10 list and Top 11 through 20 for the 2026 festival as we ramp up toward the start of the Fringe on August 6th.  

 

  

Fringe 2026 - Returning Favorites from Years Past


Here's a list of links to all the posts about returning favorites in the 2026 Minnesota Fringe Festival (alphabetical by show title):

After the End - One T Productions (Scot Froelich, Sheree Froelich)

Following a devastating global pandemic, Jeff is left to fend for himself. Twelve years later, he’s built a farm, a solar array, and – to pass the time - a hobby of playing guitar for the audience in his head. 

 

Apologies for the Late Reply - Ben San Del

Stand-up comedy about salvaging sanity in our age of crazy presented by four-time Minnesota Fringe encore winning producer and Acme Comedy Co.'s Funniest Person in the Twin Cities title holder Ben San Del. 

 

 

Bay Creek - Derek Lee Miller

Four generations of smugglers from the river bottoms of Pike County, IL deal with their legacy of violence and crime, and the terrifying entity they accidentally smuggled over the veil from the other side.

 

 

 

Be Not Afraid - Third Space Theater (Alex Church)

2012. A struggling farm in a northwestern North Dakota town transformed by the oil boom is given a warning. A savior is coming.

 

 


Buckeroohaiku's Reverse Armando - Button Productions (Ryan Klima)

True stories. Masterful improvisation. Kate Button spills the stories, while the Twin Cities top improvisors weave them into comedy gold! Brace yourself for an evening of raw, unfiltered hilarity!

 

 

Bury The Leads - Special When Lit (Nissa Nordland, Sam Landman)

Meet Clyde & Faye, two character actors navigating an industry of auditions, rejections, bit parts and false starts. Sometimes funny, sometimes melancholy, it's improv so grounded, it seems scripted.

 



 

Casa Bde-Maka-Ska - Snikt! Bamf! Thwip!

Everyone comes to Rick's. Even in the middle of a hostile occupation. Even in a world where lovers who have been torn apart by circumstance can bond over some well chosen Prince music. 

 

 

A Confluence of Magical Arseholes - The Winding Sheet Outfit 

The feckin' story and singy-song of the Hermetic Order of the Golden Dawn. There be the famous supper club for some bored c*nts and dilettantes, and this be that time W. B. Yeats kicked Aleister Crowley's arse. 

 

 

Cyrano - Small Waves

A queer heroic comedy in five acts. The story you never knew you already know, like you've never seen it before. An adaptation of Edmond Rostand's "Cyrano de Bergerac."

 

 

 

 

 

Doozy - Dolly Who (Destiny Davison)

A good friend never forgets. Too bad, Dolly did. But no worries, it's her day off! No agenda, no script, no work...and all the time in the world for a little sweet, sweet revenge.

 

 


FAST Death of a Salesman - an alleged Theatre Company (Jake Mierva)

Dr. Duke Didier is putting on a production of Death of a Salesman, in order to prove to his nephew that the play is still relevant in 2026. Too bad his nephew, Braedyn, couldn't give a shit. 

 

 

Glengarry Glen Elvis

Elvis Presley stirs up trouble at an unscrupulous real-estate agency. Jumpsuits jitter and F-bombs fly as a post-Vegas career suddenly involves the temptations of grand theft and a fever for the rock 'n' roll. 

 


 

I Will Become The Silver Surfer. I Will Protect You - Jake Mierva

Galactus has chosen Earth as his next target. But don't worry. I will stop him. I will save you all. I will become The Silver Surfer.

 

 

 The Importance of Living - Mermaid Productions (Ariel Pinkerton, Tim Uren)

Samuel and Louise really know how to live; no morals, no regrets, no limits, no future. It's the night before their reckoning day and they've come to crack a bottle of wine, swap tales, and have a little fun.

 

 

Latin Papi - CuerpoxCuerpo - Gabriel Mata

Latin Papi is a bold, playful, and provocative contemporary dance performance blending sensual movement, voice, humor, and theatrical flair created by Armani Rey Colón and Gabriel Mata of CuerpoxCuerpo.

 

 

The Local Music Scene - JimJam Media (Philip Simondet)

Improv inspired by local music. Local musicians perform original songs live. Between songs the Local Music Scene cast improvise scenes inspired by the lyrics. LOCAL MUSIC; improvised SCENEs

  

 

More Better Stories - American School of Storytelling

Storytellers Jon Carlson, Vianna Isbister, Bernadine Joselyn, Hank Roubicek - each tell three times, and Erin Ferdinand, Kory May, Christopher Nelson, Laura Packer, and Anne Wiborg do "one off's" with stories for adults.

 

 

Quadrilogy, a Sabathani Benefit Game Show Extravaganza! (Mahmoud Hakima)

A game show in three rounds with audience participation. Answer questions, build Lego, have fun, win prizes! A different theme every night. Artist proceeds go to benefit the Sabathani Community Center.

 

 

A Revolution Highly Favorable - Maximum Verbosity - phillip andrew bennett low

On the 250th anniversary of American Independence, listen to the words of those who were there! Adapting for the first time 18th-century combat medic, historian, and POW David Ramsay, this fully AI-illustrated show features a different collection of readings each night.

 

Road Trip! - Chris Davis

Too expensive to go on a road trip? Then join two improv comedians as they take a ROAD TRIP without ever leaving the theater! You don’t need to pitch in for gas, just pitch in suggestions for destinations and leave the “driving” and comedy to them. Where will there journey take them? That’s for you to know and us to find out!


Silent Movie! - The Improv Movement Project (Mark Benzel, Sean Dillon, Victoria Pyan)

What happens when you get a group of physical improvisers to make a movie – but without the sets, lights, costumes, props, crew, dialogue . . . or movie. A new genre-smashing cinematic epic each performance.

 

Small Minded - Tyler West

When Tyler was a little boy he wanted to grow up and be a clown. Come to find out it was a lot harder to achieve the former, than the latter. 'Small Minded' features magic, juggling, clowning, and much more! Is being a dwarf clown REALLY half the size, but double the fun? Or is Tyler West just Small Minded? Either way, this show features juggling, magic, Shakespeare, story-telling, and some Ha-Ha's! from the heart.


 

So Bright, The Night - Hey Rube!

So Bright the Night is a hard-boiled historical drama about the Mexican Repatriation of the 1930's. A woman boards a train in hopes to rescue her husband from deportation or worse. History is repeating itself. 

 

Soap Prov: Show of 10,000 Secrets (Jex Arzayus, Mahmoud Hakima)

An improvised soap opera inspired by audience suggestions. Our cast will create a show filled with your favorite soap opera tropes: steamy affairs, family betrayals, love triangles, seduction, and so much more!

 

Sound and Noise and Bodies - Octoberdandy Productions (Jen Scott)

Fringe veteran Jen Scott presents a one-person storytelling show, a music-show, a bit of a clown show, all about being human and maybe being heard.

 

 


the statue of liberty is nora in a doll's house by henrik ibsen - SUPERMOON (Caleb Matthew Byers, Claudia Errickson, Mads Plonski, Michael Torsch

The Statue of Liberty prepares for and performs Nora in A Doll's House by Henrik Ibsen. This performance is about doors, lies, and the morphed American definition/concept of liberty. It's an Americana kaleidoscopic ritual praying for a miracle.

 

Stories from the Trauma Dump (Jex Arzayus, Allison Broeren, Shanan Custer, Mahmoud Hakima, Rev. Matt Kessen, Nissa Nordland, Ariel Pinkerton, Duck Washington)

A collective storytelling show featuring local artists sharing humorous tales around mental health. Personal or fantastical, these stories aim to share experience and possibly find catharsis through comedy.

 

Tech - Mike Fotis

This year's Fringe show opens tomorrow. The props are assembled. The actors have memorized (most of) their lines. The director has blocked the show. There’s only one thing left to do…TECH THE SHOW.

 

 

Witness Loudly - Kyle B. Dekker

Operation Metro Surge pitted armed ICE agents against the residents of Minnesota. Kyle B. Dekker recreates a live rapid response call on stage based on his own experiences as a constitutional observer, also  discussing the impact of the event on him and his neighbors. 



And here's links to the 2026 versions of my pre-Fringe Top 10 list and Top 11 through 20 for the 2026 festival as we ramp up toward the start of the Fringe on August 6th.  



Fringe 2026 - Top 11 to 20

Here's a list of links to the full write-ups on each of my pre-Fringe Top 11 to 20 list for the 2026 Minnesota Fringe Festival:


11 - The Quiet Piggy - Dawn Bentley

Minnesota Fringe Executive Director and theatre virgin Dawn Bentley makes her first (and only?) fringe show. A personal, political, and playful storytelling experience fantasizing about how IT finally happens. 

 

 


 

12 - Maniac - Todd Sullivan

A solo clown show loosely inspired by history's most intelligent serial killer — blending masks, movement, lo-fi origami, and absurd logic into a lunatic tribunal of comedy, tenderness, and chaos. 

 


 

13 - Don't Be Scared - Band Practice

Two zombified post-war corporate professionals attempt to run a workshop with the audience on how to face your fears. Outside, the darkness is creeping in threatening to end the show and maybe their friendship. 

 

 

14 - A Real Piece of Work - Moral of the Story

When a bumbling community theater group rehearses for their production of Hamlet, one actor tries to help them get their act together. This ensemble comedy is a love letter to community theater. 

 

 

 

 

15 - 

16 - 

17 - 

18 - 

19 - 

20 -  


And here's a list to similar posts with links to the Top 10 entries on this year's list, as well as a post with links to all the blog posts on returning favorites coming back to this year's festival. 

 

 

Fringe 2026 - Top 10

Here's a list of links to the full write-ups on each of my pre-Fringe Top 10 list for the 2026 Minnesota Fringe Festival:


1 - Stage Presents - Wells Farnham

Third Fringe, and Wells thinks he's figured out the game. And he wants to share it with you! Work disasters, spirit world snafus, post Pearl Jam snacks, bootleg CDs, stories that'll make you go, "Oh Geez!" 

 

 


 

2 - Good Vibrations - Dame Right!

June 28, 1966. A Beach Boys Circus... in the earthquake capital of the world. What could go wrong with this American Dream? Come for the music, stay for the drag, puppets, and camp-ified antics! 

 

 

3 - The Label Maker - Jena Young Productions

What’s the difference between BPD and BD? Is the expert always right? From anxiety to PTSD, storyteller Jena Young shares her experiences growing up with an undiagnosed abusive parent, being misdiagnosed herself as a teenager, and the power of labels. 

  

 

4 - 1 Hour Left to Live: A One Puppet Show by That Felt Good - Sockpop

A puppet on his deathbed recounts his life through monologue, improvised flashbacks, audience participation, and stand-up comedy guest sets. Every night he lives a new life with new characters and old regrets. 

 

 

 

5 - 

6 - 

7 -

8 - 

9 - 

10 - 

  

And here's a list to similar posts with links to the Top 11 to 20 entries on this year's list, as well as a post with links to all the blog posts on returning favorites coming back to this year's festival. 

 

 

Wednesday, July 29, 2026

Fringe 2026 Top 11-20 - #13 - Band Practice - Don’t Be Scared


Don’t Be Scared

Description:
Two zombified post-war corporate professionals attempt to run a workshop with the audience on how to face your fears. Outside, the darkness is creeping in threatening to end the show and maybe their friendship.
Venue – Rarig Xperimental
Content Warnings - Crude Humor, Mental Illness, Violence
Genre and Content - LGBTQIA+ Content, Clowning, Comedy, Political Content, Improv, Physical Theater, Audience Participation
Ages 16 and Up

Lucky 13!

Zombified characters creep me out, but c’mon, these two are coming to Minneapolis all the way from Berlin - I can deal with creepy for an hour.

(They didn’t quite come the longest distance - a guy dropping in while on a break from his teaching assignment in Beijing beats them by a little over 1,800 miles (more on them later) - still, if you’re crossing an ocean to come to the midwest, that’ll always earn you some style points with me.)

They also flag LGBTQIA+ Content (queers, represent)

Their video trailer doesn’t seem super unsettling (forgive me for dwelling on it, I’m squeamish)



Also has probably one of my favorite lines from a Fringe show page this year:

“We met studying physical theater, and started collaborating in 2021 after failing our clown training. Then we went straight to Edinburgh Fringe with... a clown show.”

Their More Information tab got a little update since the first time I looked at it.  Previously it said:

“Band Practice are for the first time are crossing the ocean! Based in Berlin, this will be our first time performing in the USA as part of The Midwest Quest Tour. We are excited to be mounting one of our first and favorite full length productions after 1.5 years since its premiere. Don't Be Scared is semi-improvised and asks the audience the fateful question "What are you scared of?" For what is the role of comedy if not to make light in the dark.... right?”

Now it says:

“Band Practice is a Berlin based theater and clown duo made of Ash Willison and Lisa Ullrich. We met studying physical theater, and started collaborating in 2021 after failing our clown training. Then we went straight to Edinburgh Fringe with... a clown show. We turn ourselves inside out; wearing our most abject, absurd, and dark ideas quite literally on our bodies and invite the audience to encounter these creatures and do the same, if they please. The core of our work, as cheesy as it sounds, is that no matter how difficult or confrontational the questions are, we face them together in the spirit of playfulness and a tender friendship. And the power of a damn good song. 
 
We've been described as "punky", "hardcore stupid", "ridiculous", and "confusing and slightly offputting" (this last one mostly from men).
 
We've performed at Edinburgh Fringe, Performing Arts Festival Berlin, Malta Festival (Poland), VAULT Festival (London) Berlin Fringe, Circus Lake festival (Italy) Deutsches Theater Berlin, Comedy Cafe Berlin. See more information at bandpracticeduo.com
 
We are extremely happy and nervous to be here. Big thank you to all of our mentors, supporters, stage-sharers, clowns, family members, teachers turned colleagues, and especially to Shai, Michelle, and Susannah. We miss you and love you :) “


Makes me wish I knew even the tiniest bit of German so I could speak to them that way, rather than force them to communicate in the one and only language I know.  Ah, well…

Also love the bios, shorty and pithy:

“Ash Willison
Producer and Performer
Ash is a performer, educator, and artist from a nomadic and multicultural background. All mediums and outlets of Ash's work stem from a personal movement practice. I am interested in colliding and questioning performative modes to create DIY theatre that truthfully sees the present, and provokes the future. 

Lisa Ullrich
Producer and Performer
Lisa is an actor from Germany and the USA. Her international training in Spain, the UK, and Germany has brought her to screen and stage. 

Lena Katzer
Producer + Dramaturg
Lena Katzer (b. 1995) is a director, costume designer, and curator. She most recently worked for DT Kontext at the Deutsches Theater Berlin. Trained as a men's tailor at the Städtische Bühnen Frankfurt and subsequently active at the Schaubühne, she completed her directing studies at the HfS Ernst Busch in 2023. She is a co-founder of the collective hfs_ultras.”


I’ll just try and make sure that their show is not the last thing I see at night and then have to travel home in the dark :) 


Interested in hearing about other artists I recommend based on past outings in the Fringe? Here's a link to a list of all the coverage of returning favorite artists from past pre-Fringe Top 20 lists of mine that are part of this year's Minnesota Fringe Festival. And here's links to the 2026 versions of my pre-Fringe Top 10 list and Top 11 through 20 for the 2026 festival as we ramp up toward the start of the Fringe on August 6th.  

 

  

Fringe 2026 Top 10 - #3 - Jena Young Productions - The Label Maker


The Label Maker

Description
What’s the difference between BPD and BD? Is the expert always right? From anxiety to PTSD, storyteller Jena Young shares her experiences growing up with an undiagnosed abusive parent, being misdiagnosed herself as a teenager, and the power of labels.
Venue – Phoenix Theater
Content Warnings – Abuse/Physical Violence, Adult Language, Mental Illness, Suicidal Ideation/Self-Harm, Violence, Other Divisive Content
Genre and Content – Solo Show, Spoken Word, Storytelling
Ages 18 and Up Only

It seems this happens every year, and you would think after all these years I would have caught nearly every instance of this by now.  But the theater community is large and varied, the Fringe schedule is such that you literally cannot see everything in any given year so… there’s always someone who I think to myself “Oh, surely that artist has been on one of my pre-Fringe Top 20 lists before for something at some point.”  But then I’m bewildered to find that no, in fact, that artist has not.  In which case, well, it’s time to rectify that.  That’s a gimme.  Easy slot on the list to be filled and long overdue.

This year, it’s Jena Young.

Which again, is ridiculous on my part.  As Jena says in her bio, she’s been involved with over 30 productions in the Minnesota Fringe Festival “ director, producer, storyteller, dancer, performer, fight choreographer, and clown.” (Not all at the same time, of course, though I wouldn’t put it past her.)  She then lists a bunch:

“Caucasian-Aggressive Pandas and Other Mulatto Tales,” 
“William Shakespeare’s Land of the Dead,” 
“Wilhelmina and Theodore’s Exquisite Victorian Adventure,” 
"The Bisexual Unicorn and Other Mythological Creatures," 
“My Only Hope for a Hero,” 
several versions of "Fringe Orphans,"


And for starters, I’ve seen ALL of those.

In fact, I’m embarrassed to admit that the ones she’s listed that I missed are her three one-woman shows prior to this year.

So, time to correct both those oversights.  She’s now on the list and she’s got a one-woman show, “The Label Maker” - in addition to also hosting “Stories from the Trauma Dump” which I’ve previously covered over in the Returning Favorites list for this year.

This is another of the Social Butterfly Project productions over at Phoenix Theater around the subject of mental health awareness (so is “Stories From the Trauma Dump”)

Her show’s More Information tab has the following additional greeting: 

“I am not a psychiatrist, psychologist, counselor, therapist, or in any other way a trained mental health expert. What I am is someone who has lived in an environment of mental illness and neurodivergence... with friends, family, and my own exciting brain discoveries. 

I also scored a 4 on my AP psych test in high school. That counts for expertise, right?

This show is not about what is or isn't mental illness, how to diagnose someone, or an exercise in therapy (well, maybe a little of that last one). I am neither qualified to provide that, nor do I want that responsibility. But I do think there is catharsis in sharing stories, empathy in hearing another perspective, and learning to be had from someone else's journey. 

And man, has it been a journey. Thank you for sharing in it with me.

Content Warning: This show contains difficult and possibly triggering topics including abuse and violence of various kinds and degrees. We urge each individual to gage their own needs. You are welcome to leave and re-enter; we ask that you be mindful of others in the audience as you are able.”


And the rest of her bio lists a bunch more reasons why I should have recommended her LONG ago:

“Outside of the MN Fringe, Jena has worked on such shows as 
“The Tourist Trap,” 
“Monsters in a Mirror,” 
“Young and Fearless,” 
“Dread the Halls (2018),” 
"Prescription: Murder," 
“Get Thee Behind me Santa,” 
“Ravenscroft,” 
“A Klingon Christmas Carol,” 
“A Very Honorable Christmas,” 
and “Hamlet.” 


[Blogger’s note: I LOVE that she lists that last, like “Hamlet, that old thing, you may have heard of it.”]

“She’s previously known for her work in Vilification Tennis and Human Combat Chess, and as a founder of both Phrenic Impact Theatre and Fearless Comedy Productions. 

Jena is known as a regular at The Encyclopedia Show and local storytelling shows, is a co-host of the local Apropos of Nothing Podcast, and is president of the board that produces the Twin Cities Horror Festival. She also once placed 5th in a balloon fencing tournament.”

So, you know, don’t be like me and wait so long - see Jena’s show and then recommend it to everyone you meet.

 

Interested in hearing about other artists I recommend based on past outings in the Fringe? Here's a link to a list of all the coverage of returning favorite artists from past pre-Fringe Top 20 lists of mine that are part of this year's Minnesota Fringe Festival. And here's links to the 2026 versions of my pre-Fringe Top 10 list and Top 11 through 20 for the 2026 festival as we ramp up toward the start of the Fringe on August 6th.  

 

Fringe 2026 - Returning Favorites - Hey Rube! - So Bright, The Night


The thing I admire the most about Hey Rube! as a theater company is they’re always taking really big swings, and always in completely different directions, with each new project.

The common denominator is that it’s going to be a new script, staged in a uniquely theatrical way.

But the style and content of the script, and the choices in staging, will never be the same as the last thing they did.

And that’s ballsy, and it also keeps the audience on their toes.  They will be entertained, but HOW exactly is this all gonna go down this time?

Whether it’s a wartime submarine drama told with a combination of actors and toys, or a sly (and hilarious) political allegory in the story of a wannabe pirate captain, or a multiversal love story, or a family medical crisis mixed with supernatural/mythological elements, it’s never the same thing twice.

So what might writer/director/producer Marcus Anthony and his latest band of collaborators be up to this time around?

Oddly enough, a remount of a previous production from back in 2016, but as you’ll see in the description, given our current context, particularly here in Minnesota, things are going to hit a little differently this time…

So Bright, The Night

Description: 
So Bright the Night is a hard-boiled historical drama about the Mexican Repatriation of the 1930's. A woman boards a train in hopes to rescue her husband from deportation or worse. History is repeating itself.
Venue - Southern Theater
Content Warnings - Blood, Gun/Weapon Usage, Loud Noises, Violence
Genre and Content - Drama, Historical Content, Political Content
Ages 12 to 15 and Up

In addition to a couple of Hey Rube’s regular collaborators (Matthew Saxe and Shad Cooper) who I’m always happy to see, we also have Diego Symouksavanh in the cast as well, who was the best thing in last Fringe’s “La Tunda: A Reimagining of a Colombian Folklore.” The guy had a monologue that actually delivered on the supernatural menace that show was trying to conjure (with otherwise uneven results outside his performance).

Since there’s only a vague memory of having seen the original production and scouring past coverage in the blog is coming up empty, I’m curious to refresh my memory and see the script in this new context.

 

Interested in hearing about other artists I recommend based on past outings in the Fringe? Here's a link to a list of all the coverage of returning favorite artists from past pre-Fringe Top 20 lists of mine that are part of this year's Minnesota Fringe Festival. And here's links to the 2026 versions of my pre-Fringe Top 10 list and Top 11 through 20 for the 2026 festival as we ramp up toward the start of the Fringe on August 6th.  

 

 

Tuesday, July 28, 2026

Fringe 2026 Top 11-20 - #12 - Todd Sullivan - Maniac


Maniac

Description
A solo clown show loosely inspired by history's most intelligent serial killer — blending masks, movement, lo-fi origami, and absurd logic into a lunatic tribunal of comedy, tenderness, and chaos.
Venue – Rarig Xperimental
Content Warnings – Gun/Weapon Usage, Loud Noises, Suicidal Ideation/Self-Harm
Genre and Content – Solo Show, Clowning, Comedy, Improv, Physical Theater
Ages 12 to 15 and Up

This one could end up in the “I’m gonna regret this” category but I find myself drawn to this Fringe show largely because of the pedigrees of the visiting artists involved (see their bios below)

Also, I’ve come around to what clowns can do in a Fringe context.  (Though “clown” without any serial killing involved is enough to make some people run for the exit.)

I have not, however, come around on the whole “serial killers are fascinating” school of thought, despite how much Netflix, particularly Ryan Murphy, wants me to view serial killers as super sexy monster boys.

Also I think the association with the title “Maniac” always leads my brain to the Michael Sembello song from the movie “Flashdance” which lulls me into a false sense of security because it’s so goofy.

The press packet materials gave some useful additional detail:

“A wildly comedic clown show blending masks, movement, and lo-fi origami into a lunatic tribunal.

Inspired by 19th-century trial proceedings of the world’s "most intelligent" serial killer, critically acclaimed music video director Todd Sullivan’s MANIAC i is a wild comedy that blends clown, movement, lo-fi origami, and theatrical chaos in an absurd and hilarious tribunal. Rather than retelling the crime in any straightforward way, Maniac turns judgment itself into a fever dream, a comic spectacle—part ritual, part vaudeville. The result is playful, unpredictable, ridiculous, and just dangerous enough to keep things interesting.

Should this man’s life be spared? That, unfortunately, is now your problem.

Sullivan, who has been called a “a vital, skilled mainstay within the Denver theater scene,” is making his debut at the Minnesota Fringe. The piece is directed by Natasha Mercado, the acclaimed performer, writer, and director whose work lives where vulnerability and absurdity meet. Mercado’s sensibility can be felt in the show’s balance of vulnerability, wildness, and theatrical attention.”


[Blogger note - 19th century - so NOT the clown/serial killer combo I was originally worried about]

Want further info?  Here’s the artist bios:

“Todd Sullivan
writer/performer
Todd Sullivan is a Denver-based performer, filmmaker, theater-maker, and teaching artist creating original work across clown, devised theater, improv, and film. Combining physical comedy, cinematic storytelling, live audience interaction, and a strong interest in theatrical image-making, Todd devises pieces concerned with theatrical risk, visual composition, the comic, the uncanny and the tender. He has devised, directed and performed pieces with/for OK Go, The Today Show (NBC), La Mama ETC (NYC), The Hammer Museum (LA), Second City, UCB and for the SF, NY, and Denver Fringe Festivals. He holds an MFA from the American Film Institute Conservatory and an AB in Theater, Speech and Dance from Brown University. 

Natasha Mercado
Director
Natasha Mercado is a performer, writer, and director whose work lives where vulnerability and absurdity meet. A first-generation mixed-Latina artist, she creates worlds that are intimate, strange, and unapologetically alive. Her work centers the intelligence of the body and the audience relationship, building comedy through presence and invitation. David Shiner, co-creator of Cirque du Soleil, once called her “fearless and completely out of her mind.” Natasha’s practice spans solo performance, immersive theater, and film. Her award-winning solo works Tree and #1 Son have toured internationally from Hollywood to the Edinburgh Fringe, earning sold-out runs, critical acclaim, and extensive recognition. Across her work as a performer and director, she has received over 50 award nominations, winning more than half. On screen, Natasha has appeared on HBO, Adult Swim, Broadway Video and TBS, and was named an Emerging Content Creator by the National Association of Latino Independent Producers. Natasha is the creator of Soft Clown, a performance philosophy that treats sensitivity as a strength and pleasure as a compositional tool. As a director and teacher, she leads workshops in the U.S. and internationally, working both in-person and virtually with artists across borders.”

 

Interested in hearing about other artists I recommend based on past outings in the Fringe? Here's a link to a list of all the coverage of returning favorite artists from past pre-Fringe Top 20 lists of mine that are part of this year's Minnesota Fringe Festival. And here's links to the 2026 versions of my pre-Fringe Top 10 list and Top 11 through 20 for the 2026 festival as we ramp up toward the start of the Fringe on August 6th.  

 

 

Fringe 2026 Top 10 - #2 - Dame Right! - Good Vibrations


Good Vibrations 

Description:
June 28, 1966. A Beach Boys Circus... in the earthquake capital of the world. What could go wrong with this American Dream? Come for the music, stay for the drag, puppets, and camp-ified antics!
Venue – Theatre in the Round (TRP)
Content Warnings – Abuse/Physical Violence, Adult Language, Crude Humor, Drug Content, Loud Noises, Mental Illness, Sexual Content, Violence
Genre and Content - LGBTQIA+ Content, Comedy, Dance, Drama, Musical Theater, Puppetry, Political Content, Historical Content, Shakespearian Elements
Ages 16 and Up

The press packet materials offer this additional useful context:

“Camp-ified company Dame Right! is excited to present “Good Vibrations,” a satirical Beach Boys musical utilizing drag personas, puppets, strong movement sequences, and a writing process spiritually comparable to Brian Wilson’s. The show will transport you to a 1966 summer day at the fictional Beach Boys Circus, exploring the very real tensions of the album Pet Sounds’ commercial failure and Wilson’s complications with his then-upcoming “teenage pocket symphony to God.” Come one, come all to The Beach Boys Circus!”

This hearty recommendation comes as sort of a sideways and much belated review of Dame Right’s first outing back in November 2025 at the Bryant Lake Bowl, when they presented a re-imagining of the 1985 John Hughes film (and subsequent 1994-1998 TV series) “Weird Science” which in the hands of Dame Right now became extremely lesbian, extremely queer, extremely trans, relentlessly odd, unapologetically horny, and thus also extremely delightful.  Everyone on that production “understood the assignment,” as they say, and just went for it.  They filled the tiny Bryant Lake Bowl stage with all sorts of 80s memorabilia, outfitted everyone in the cast in the bizarre fashion of the times, and really went for broke in the way they staged it, right down to the sound design stingers from the theme song repeated for comic effect.  The plot synopsis posted online said:

“The 80s: The greatest decade alive… unless you’re a dorky teenage lesbian, then it pretty much totally sucks!  A campy sapphic comedy loosely based on the 1985 John Hughes classic, Weird Science. Featuring a Frankenstein-ed beautiful woman, pure gay-ighties antics, and all the charm two loser high school lesbians can muster. Who’s ready to rock?!”

Now nine members of the “Weird Sapphics” team have gotten the band back together in order to portray the story of a real band this time.  “Weird Sapphics” writer/director/production designer and cast member  Bella Maldonado has teamed up with Lucía Salazar-Davidson to co-write the script for the Fringe show “Good Vibrations” with Bella also in the director’s chair again and Lucia assistant directing.

Though they didn’t have a slot in the Fringe previews on Monday night, if you were there waiting in line for the house doors to open, you likely saw some of the “Good Vibrations” team as they were handing out postcards to folks in line with the aid of a large and friendly goat puppet.  The Theatre in the Round venue is perfect for their often manic energy.

These folks know how to have good, campy queer fun, so whatever they’re up to, I’m on board.


Interested in hearing about other artists I recommend based on past outings in the Fringe? Here's a link to a list of all the coverage of returning favorite artists from past pre-Fringe Top 20 lists of mine that are part of this year's Minnesota Fringe Festival. And here's links to the 2026 versions of my pre-Fringe Top 10 list and Top 11 through 20 for the 2026 festival as we ramp up toward the start of the Fringe on August 6th.  

 

 

Fringe 2026 - Returning Favorites - The Winding Sheet Outfit - A Confluence of Magical Arseholes


We have a title that includes both the words “confluence” and “arseholes” - do I really need to lay out further reasons why I’m on board to go see this show?

(By the way, I love that spellcheck knows that I was inverting a couple of letters and typing “arseholes” incorrectly at first.  It wants me to get that word right.)

Further reasons?  It’s Amber Bjork’s group The Winding Sheet Outfit, which regularly produces theater that reminds me I need to read more history because history is littered with the strangest stories and the oddest people, and the more you dig into them, the more fascinating they often become.  (They’ve been accidentally making me feel poorly educated and under-read since they landed on my pre-Fringe Top 10 List back in 2012, but that’s my problem :) The Winding Sheet Outfit each year fixates on some figure in the past, often an artist or group of artists, and put them in the context of the larger sprawl of the world’s story, while also making them fully human and relatable in their own smaller personal story.  This can also apply to legends (ancient or urban) as well. This year, it’s…

A Confluence of Magical Arseholes

Description: 
The feckin' story and singy-song of the Hermetic Order of the Golden Dawn. There be the famous supper club for some bored c*nts and dilettantes, and this be that time W. B. Yeats kicked Aleister Crowley's arse.
Venue - Rarig Thrust
Content Warnings - Adult language
Genre and Content - Comedy, Musical Theater, Original Music, Historical Content
Ages 16 and Up

The press packet adds this bit of amusing further context for the piece:

“A rowdy musical revue about that time W. B. Yeats kicked Aleister Crowley's ass.

The award-winning company behind memorial-based theater pieces like "Blood Nocturne," "You Are Cordially Invited to the Life and Death of Edward Lear," and "The Spirit Moves You to Color the Unseen" takes on the challenge of a full-scale musical about people you've heard of but may not know very much about--W. B. Yeats, Aleister Crowley, and the Hermetic Order of the Golden Dawn. Their goal is to make it rowdy and irreverent  and real stupid fun.”


The More Information tab on their show page offers this sheepish content warning:

“More info coming soon.
Promise.
Also, a warning, be prepared: Aleister Crowley used the C word in his poetry.
A lot.
It's been a problem during rehearsals.
I can't get these arseholes to focus on anything but stupid giggles.
Did I mention this show is gonna be really stupid?
And pretty? And fun?
But mostly stupid.
With a lot of "c---."
*polite curtsey*
Also, I'll ask the Crowley fans and devotees not to curse us please.
Thank you.
*politer curtsey*”


So it’s a foul-mouthed Fringe musical.  Extra points for all that, obviously.

The cast list as usual is an embarrassment of riches.  It’s almost not fair to have all these people in one show :)

The previously name-checked Sam Landman is the playwright George Bernard Shaw

The previously name-checked Derek Lee Miller is the horror novelist Bram Stoker

The previously name-checked Mark Benzel is the poet W. B. (Willie) Yeats

Michael Rogers is playing the guy about to get his ass kicked, Alister Crowley

Amber Bjork in addition to directing the project is also playing a character named Lady Gregory.

And a quartet of great actresses I’ve seen in so very many Fringe and non-Fringe theatrical productions that I can’t enumerate them all right  now - Heather Bunch, Megan Campbell Lagas, Kristina Fjellman, and Boo Segersin.  They are, of course, playing women whose names I should probably know, but I was educated far too long ago in a public school with a patriarchal lens on history so I will be encountering them here properly for the first time (Florence Farr, Annie Horniman, Moina Mathers, and Maud Gonne, respectively) - though, two of them have names that if you put them together create the phrase Far Gone and another's last name looks like Horny Man so… maybe I’m being punked?  We’ll see.

And that’s just the collaborators whose names I recognize off the top of my head without doing any digging.  There are more.

In general, this group has a wicked sense of humor, with a bit of whimsy and melancholy mixed in as necessary, which I always appreciate.  They take their subjects seriously, but not too seriously.

The Winding Sheet Outfit's Fringe shows (and Twin Cities Horror Festival shows) regularly pack in the audiences, so they certainly don’t need a boost from me, but I’m mentioning them anyway.  I’m looking forward to seeing what flavor of weird they’re offering up this year. 

 

Interested in hearing about other artists I recommend based on past outings in the Fringe? Here's a link to a list of all the coverage of returning favorite artists from past pre-Fringe Top 20 lists of mine that are part of this year's Minnesota Fringe Festival. And here's links to the 2026 versions of my pre-Fringe Top 10 list and Top 11 through 20 for the 2026 festival as we ramp up toward the start of the Fringe on August 6th.